Where to Begin: Thoughts on Gaza

I have spent the day attempting over and over to write something meaningful about the dreadful situation in Gaza. But where and how do you start? Indeed, where and how can you start? What point of departure can we take that doesn’t posit or impart some kind of primacy upon that very point? How can we advance on any one question without leaving behind others that, quite literally, concern the survival of precarious human lives?

Do we start by lamenting, as so many moderates and liberals have done in recent days, by decrying and denouncing in vague terms some generalized climate of violence? Do we call on both sides to lay down arms and pursue greater goals of peace and kinship, ignoring the fact that if all weapons were to evaporate tomorrow, Gaza would remain an enormous open air prison subject to the ongoing, slow-bleed violence of colonialism and blockade; deprived of access to health care, medicine, food, water; subject to arbitrary and unaccountable restrictions on movement, safety, security, and privacy?

Or do we start rather with the spectacular complicity of much of the Western world in Israel’s now openly and avowedly genocidal acts? Do we focus on the remarkable inability of the Western media to recognize that referring to colonized Palestinians uniformly as “Hamas terrorists” in fact does constitute a powerful (and by absolutely no means politically innocent) pro-Israel slant?

Or do we begin by attempting to interrogate the dizzying and heartbreaking politics of memory that the conflict dredges up? Might an understanding of the assault on Gaza be grounded on an analysis of how the Israeli state has institutionalized the memory of the Nazi holocaust (conceptually, a necessary project) in such a way that it has in fact restricted our ability to think genocide beyond a single historical horizon and become a key plank in justifying the annihilation of other minoritarian subjects? If we were to grasp that the Israeli national project– tied up with a whole range of national governments and organizations–is rooted (at least rhetorically) in the preservation of human dignity and the memorialization of communities lost to the exercise of state violence, might the murder of Palestinians by an expansionist Israeli state strike us as any more perverse?

So again: where do we begin in a situation that seems so violently oriented toward a devastating end? How do we open in circumstances of radical closure, imprisonment, denial, and restriction? How do we explore–a gesture of flourishing–when the terrain of exploration itself has been so aggressively expropriated, denied, and colonized; squeezed and compressed to such a point that it teeters on the very edge of visibility?

In so failing to begin, I can offer only the following:

In recent days, I’ve been told a number of times that my strong language and views on Israel’s assault on Gaza are perhaps too militant. Indeed, upon arguing that a mutual laying down of arms (of course necessary in any viable peace process) still does nothing to end the ongoing violence of Israeli settler colonialism, an acquaintance even told me that I was simply being too pessimistic. In his estimation, to persistently acknowledge the modes of violence that precede, pervade, and exceed the visible violence of armed conflict, is to distract from grander ambitions of peace and reconciliation. On this I am unequivocal.

Certainly, ideals of peace, ethical responsibility, and mutual care are paramount. But these ideals are foreclosed upon in the context of genocidal state violence, repressive settler colonialism, radically uneven distributions of visibility, and a willful blindness to qualitatively different forms of violence. And on this last point, clarification is needed: are Hamas rocket attacks and suicide bombings acts of violence? Yes. Can they be understood on the same terms as the coordinated air, land, and sea strikes of the IDF? No. It is essential that we attend to the distinction between violent acts of resistance against the threat of extermination and the violence of that threat itself. Because violence operates and is experienced differentially, non-violence cannot, I think, operate as an absolute principle that cuts across all political contexts. As Arundati Roy has said, (and as Edward Said corroborated ten years ago, specifically in the Palestinian context) “Non-violence is a piece of theatre. You need an audience. What can you do when you have no audience? People have the right to resist annihilation.” In the current assault on Gaza, it is precisely such distinctions that are elided through the exercise of overwhelming military force.

To denounce, condemn and resist these projects of domination and elision, then, is not to distract from ideals of love and peace. Rather, it is to secure the very possibility of pursuing those ideals in an extensive way, beyond the ranks of those whose survivability is guarded behind a military-liberal diplomacy complex. Indeed, it is to pursue greater dreams of kinship and livability precisely for those human lives that such a complex would deem sub-human, inhuman, extra-human and worthy only of destruction.

Such a pursuit resonates with various currents of post-war Jewish thought that worked to articulate a sense of Israeli belongingness which was not necessarily and even necessarily not nation state-located. It was, after all, the expansionist state that committed the atrocity of genocide against Jews, the Roma, people of colour, gays and lesbians, and so many others during the Second World War. In many ways, then, the theoretical response to fascism was to imagine alternative ways of being together that resisted the coercive infrastructure of the state. As Judith Butler put it recently in a remarkable essay, written in response to claims that her criticisms of Israel betray her as a self-hating and anti-Semitic jew, “there are strong Jewish traditions, even early Zionist traditions, that value co-habitation and that offer ways to oppose violence of all kinds, including state violence. It is most important that these traditions be valued and animated for our time – they represent diasporic values, struggles for social justice, and the exceedingly important Jewish value of ‘repairing the world’ (Tikkun).” Similarly, in an earlier essay entitled “Is Judaism Zionism?” Butler succinctly declares, “it is on the basis of this conception of cohabitation that the critique of illegitimate nation-state violence can and must be waged.”

However, when Jewish survivability is constructed as fully identical with and dependent upon an imperialist Israeli state, these alternative visions of belonging are attenuated. The call they make upon us–to think about peace on terms that necessarily critique state violence and rely upon the survival of those beyond our own communities–is silenced. This is not to say, of course, that the struggle for peace should rest only or even primarily upon such traditions of Jewish thought, to the exclusion of Palestinian ones (quite the opposite–it should go without saying that any resilient peace process would do justice to Palestinian voices). Rather it is to demonstrate that even within Judiasm itself, there remain multiple ways of thinking about action and solidarity that refuse the operation of, and are in turn suppressed by, the imperialist state.

And so it seems to me that any meaningful commitment to peace, love, and mutual survivability must begin with a denunciation of the conditions, institutions, and practices that suppress that commitment in advance. In this moment, that means articulating a thoroughgoing and rigorous opposition to Israel’s actions against Palestine–both its renewed assault on Gaza and the ongoing program of colonial domination of which it is a part–and refusing the notion that survival for some must and can only rest on the extermination of others by a radically expansionist nation state.*

*many will claim that Palestine’s efforts to assert itself through bids for statehood and paramilitary violence constitute just such an expansionist posture. To avoid embarking on another essay altogether, let me only say on this point: we must again refuse the elision of crucial distinctions. The assertion of rights to sovereignty and self-determination by a stateless and colonized people is a qualitatively different act than expanding the borders of an extant nation state by persistent military force and coercion. 

Looking Toward Justice: Ricardo Dominguez and Radical Media Democracy

On November 3, 2012, San Diego-based media artist Ricardo Dominguez was scheduled to speak at Media Democracy Days Vancouver. Due to a severe family medical emergency, however, he had to cancel. In his absence, I was asked to deliver a talk on his work and what it means for the project of media democratization. Below are the speaking notes from that talk, adapted from an original article “Hacking the Border to Pieces: technology, poetics, and protest at the speed of dreams” published by Art Threat. My thanks to the Media Democracy Days team for inviting me to speak, and my deepest sympathies to Ricardo, who is a truly remarkable human being. 

Good morning, everyone and thank you for being here. Let me first echo Stuart in apologizing for Ricardo’s absence, but more importantly in sending all of our best thoughts and wishes to he and his family in what is surely a difficult time.

It feels callous to say it given the circumstances, but I’m truly honoured to be speaking with you this morning. I also feel exceptionally lucky in that, unlike many of the people in this room, I recently had an opportunity to chat with Ricardo one-on-one. Admittedly, at the time, I only knew the general contours of his work, and so I wasn’t quite sure what to expect from our conversation. But to be quite honest, I’m not sure any amount of background research could have prepared me for how radically his visions of the digital world, of digital bodies, and of poetic media activisms would change the way I thought about our political relationship with media technologies.

Our conversation eventually turned into an article that was generously published by Art Threat, and was just yesterday reprinted by rabble.ca. And so, in Ricardo’s absence, I was asked by the MDD team to share some of that article with you today. But what I’d like to do more specifically is consider what Ricardo’s remarkable work means for the people gathered here today, for the project of media democracy, and what calls it makes upon us as advocates, activists, and organizers.

For the past 30 years, Ricardo Dominguez, now based in San Diego, has cut a remarkable silhouette on the North American political and artistic landscape.Since the 1980s, Dominguez and his many collaborators have steadfastly challenged prevailing understandings of what it means to be “digital.” Backed by a tremendous array of mind-bending media art projects, he and his colleagues have developed what I would call, in a mouthful, a radical poetics of collective action and imagination that reckons with the politics of neoliberalism, globalization and migration.

Maybe not surprisingly, his work has consistently raised the ire of some formidable foes, including various bodies within the Mexican Government, the U.S. Departments of Defense and Justice, several Republican congressmen, and the FBI Office of Cyber Crimes. Ultra-right wing Fox News personality Glenn Beck has even claimed that Dominguez’ poetry threatens to “dissolve” the American nation state. High praise.

This remarkable history of disturbance (which continues today through Dominguez’ work with the b.a.n.g. lab at UCSD’s Calit2 institute) finds its roots in the work of the renowned Critical Art Ensemble, a collective of tactical media practitioners that emerged in Tallahassee, Florida in the mid-1980s.

Following the 1994 publication of one of the CAE’s first texts – Electronic Disturbance – the collective, including Dominguez, began to seriously explore the possibilities of what would become known as “electronic civil disobedience.” As he recalls, the concept “emerged in our dialogue as a way to imagine a new space of contestation and reimagine new forms of civil disobedience; we wanted to explore non-violent direct action through blockage and trespass.”

Inflected by the aesthetic and poetic grounding of the Ensemble, these imaginings were focused on establishing what Dominguez calls a “performative matrix or space of practice that enabled us to bring data bodies and real bodies together in a form of non-violent protest.” Electronic civil disobedience, thought along the lines of a critical aesthetic and artistic practice, would call up the tradition of “Gandhian satyagraha — that your body is a space of contestation and protest” but ask, “How does one do it online?”

That performative matrix eventually came to fruition in the form of the Electronic Disturbance Theatre and what has since become its hallmark performance: the virtual sit in. Leveraging the basic functions (reload and the “404-file not found” protocol) of early browsers like Netscape and Mosaic, Dominguez and the EDT, in the early 1990s, began staging a number of participatory Denial of Service attacks on bodies such as the Mexican Government and the U.S. Department of Justice. To participate in the sit in, demonstrators would simply run a basic, open source JavaScript on their browser, the sole function of which was to refresh a target website over and over again. The target server would clog with the redundant requests and, in effect, shut down.

By the standards of contemporary hacker culture, the virtual sit-in might seem a rudimentary exercise. For Dominguez, that was precisely the point. Against what he calls the “fetish of technological efficiency” and the air of shadowy anonymity that runs through state discourses of “cyber war, cyber terrorism, cyber crime” and hacktivist culture itself, the work of the EDT has from the beginning pursued “radical transparency.”

“The aesthetic practice” of the sit ins and similar disturbances, he says, “would be not to be anonymous, not to seek to crack into servers and use them as zombies that might or might not represent the number of people participating.” Rather, it was organized around “the public features of the browser,” and drew its strength from its collectivity, its desire to that leverage the force of multiple bodies acting together in virtual space.

It’s a tactic that pushes us as advocates and to think more expansively and creatively about online activism. The virtual sit in makes it clear that a digital politics (and a politics of the digital), must exceed technocratic considerations of efficiency. It demands that we explore as well, questions of “symbolic efficacy,” of poetry, of human relationality, of feeling and sensing, and in the spirit of various democratic uprisings around the world, of bodies meeting and supporting one another in space and time.

Perhaps nowhere in Dominguez’ catalogue of projects does this call for an activist-artistic practice that overflows the “wired, California ideology” of hyper-efficiency ring clearer than in the Transborder Immigrant Tool (TBT).

Making the most of the rudimentary GPS applets built into cell phones available aftermarket in Mexico for around $40, Dominguez and his EDT/Calit2 colleagues transform basic mobile handsets into navigation and survival tools for Mexican citizens attempting to cross the treacherous and heavily policed Mexico-U.S. border zone. Built into the hacked applet is data from NGOs like Border Angels, who maintain clean water sites and life-saving stations along migration routes, as well as information about where to find safe housing and shelter.

At its core an instrument of survival, the Tool nonetheless retains the radical artistic impulses that compel us to recast the very terms of what counts as digital “politics” and digital “activism.”

The cell phone, after all, tends to be constructed by market rhetoric on contradictory but nonetheless related terms. On the one hand, it’s the ultimate symbol of the kind of mobile hyper-connectivity presupposed (and demanded) by globalized transcapital. If advertising images and narratives are to be believed, our mobile devices, tethered to what Mark Andrejevic has evocatively called the “electromagnetic umbilicus“ of the network, enable us to traverse new terrains, to explore new horizons, to connect with a whole world of strangers, irrespective of geophysical constraints.

On the other hand, the cell phone also registers as an instrument of location. At the tap of a finger, our precise coordinates can be pulled out of the digital ether, triangulated and linked to all sorts of hyper-localized data, often in ways that retrench corporate profit imperatives and establish regimes of surveillance and enclosure.

Dominguez’s appropriation of the mobile phone, not surprisingly, turns this already-vexed relation between location and dislocation on its head. In the first place, as Dominguez remarks, the promise of mobility advanced by our various digital devices is almost always anchored in a specific — and extremely narrow — assumption about where bodies can and cannot exist in the first place. In his words, “a great deal of this new enclosure and mobility is very much rooted in the urban … where is my friend, where is coffee, how do we connect these two.” Against this city- and market-centric tendency, which implicitly declares those in rural and migratory zones as somehow unlocatable (or perhaps not worthy of being located), the TBT explicitly asks “how can we reconfigure, disturb, dislocate?”

For those who would identify as activists or advocates, these questions should be critical precisely because borders and other environments that don’t slot easily into a market-driven mediascape, are configured by those in positions of power as non-spaces. They’re places that, beyond simply not being seen, are places that can’t be seen because our systems of seeing–that is, our media–tangled up as they are with neoliberal economics and its cult of individualism, with various racisms, colonialisms, and imperialisms, don’t include them.

Thus, despite the fact that at any given moment, there are likely more people on this planet traversing border zones than there are living fixedly in nation states, such zones remain not only invisible within our political mappings, but impossible.

This impossibility raises urgent ethical questions about how we account for the lives that those zones hold, the communities that come together and dissolve along their contours, the specifically human bodies that are more than the labour power they exert; bodies that are poetic, thoughtful, sensual, excessive and, as Dominguez rightly insists, “transformative.” And here is where Ricardo’s work presents us, as activists, with an essential question: how do we see the spaces that prevailing systems of power don’t want us to see and in fact make it impossible to see? How do we see their billions of inhabitants, and take account of their unique and uniquely transformative lives?

These are exactly the questions that the TBT takes up, and precisely the kind of questions that we might take up in our own media activist work. The cell phone–the ultimate neoliberal locative instrument (because it encloses precisely by promising mobility)–once transformed into the TBT, becomes an explosive lever of dislocation that registers those experiences of crossing and being in-between that can give legibility to the most vulnerable among us and reveal the ways in which we all rely, for our very survival, on being seen by and connected to others outside the narrow horizon of economic value. And so, even as it preserves human lives by increasing access to the most basic of material necessities, the TBT also calls upon us to imagine survival anew and, to radically rethink the very resources that make life possible, to rethink what it might be.

For me, this is nothing short of the radicalization of media democracy, and a testament to the paramount importance of that project. A radically democratic media environment does more than improve the quality of journalism or deconstruct and challenge problematic forms of representation–though it certainly does all those things, and does nothing to detract from their importance. A radically democratic media environment, as Ricardo’s work shows us, works to redraw the very boundaries of visibility. It redistributes the resources of seeing and being seen, and compels us to engage with images and stories and technologies in such a way that we are taken beyond ourselves, dislocated, and sent on poetic wanderings. It demands that we think expansively about new ways of being in common. It pulls us toward others, and ties us inescapably together in coalitions that might advance new visions of survival, justice, and solidarity.

I’m reluctant to hazard the guess, but I think this is what Ricardo meant when he told me, “we’re thinking borders not as science, but as science fiction.” To preserve a fictive, poetic, imaginative space of potentials and questions within institutions and structures–like national borders or unequal power relations–otherwise aggressively policed, is to establish new networks and connections that elude and overflow the rigid foreclosures performed by those structures. It is to stubbornly question, to resolutely trespass, translate, and wander toward more just ways of living with and seeing one another.

Promises that Reach, Love that Endures: Ethical Commitments for World-Making

How do we act? How do we act politically? How do we enter a world outside of ourselves–one that preceded our arrival, one that will outlast our departure–in the hopes of changing it for the better?

As communities around the globe re-enter the streets in a multitude of struggles against oppression, there is perhaps no set of questions so pressing. The shared need to once again make the social body known and knowable in space and time, against the regimes of differential visibility that inhere in our moment, demands that we answer them creatively, collaboratively, and in ways that respond to new (and changing) structures of power. Yet even in the assertion that power is constantly being reorganized, we are pushed away from such tactical considerations to a more fundamental, pre-tactical question: how might we act? What is the basis on which we act?

We must return to this question today largely because our tactical debates themselves are so often pre-empted by the tautological and critically inert moral injunctions put forth by those who suppress movements toward justice and equality.  How are tactical questions–principles and practices of non-violence, organizational considerations, coalition building–to be fruitful if their outcomes are already denied by facile calls for us to “know our place,” to “be reasonable,” to “behave?” To paraphrase Mitropoulos (2011), what is the political response to such moral invectives, closed as they are to any meaningful undoing or revision?

This is why, even as we move into spaces of collective action, we must also return to pre-tactical questions; ethical questions. Wherever the moral would seek to undo the political, the ethical must pre-empt the moral. And so this is something of an effort to articulate an ethical ground for taking political action in a world where, as Judith Butler remarked in a recent talk in Vancouver, conventional protest tactics have lost their legitimacy (peaceful protesters who offer themselves up for arrest are nonetheless thrown to the ground and beaten). Of course, many who have come before me have taken this task on for themselves, but I think it’s an essential practice for those who wish to insert themselves into the world.

Any consideration of ethics and action, inescapably, must begin with the subject. Throughout the Western Liberal tradition, the locus of ethics (as both a discipline and an incitement to thought) has stubbornly remained on the thinking, acting, willing, rational, and above all, coherent subject. In turn, the question of what constitutes ethical action—a resistance to or rejection of wrongdoing, a life lived right by the world, and so on—has historically fallen on that same subject.

To be brief, this notion of an ethics of the subject is (for me) impossible from the outset. How can we even think of a way to do right and well by the world, to live by overlapping codes of practice and convention and construction, to safeguard against wrongdoing and violence, if we insist upon preserving the superior status of the individual subject at the cost of all others? It seems impossible to conceptualize ethics as anything other than an eminently social, extensive field, concerned first with the forces that overflow the subject and regulate the constitution (and severing) of bonds between beings. Why, then, should the individual be taken as its arbiter?

Any attempt to position that coherent subject as the mover of ethics, then, is doomed to undermine whatever hope we have of acting ethically. To grant the subject some kind of superior ability to access ‘the ethical’ is to commit a violence against the forever incomplete space of relationality that ultimately sustains the field. It is to sacrifice the very substance and promise of ethics to the subject-worship of the Western Liberal tradition.

This is all to say that I subscribe to what Butler calls a “social ontology.” Contradictory on its face, the term is meant precisely to draw attention to the fact that there is and can be no existing in or for oneself; there can be no body, no subject, no site of reality that is closed to the rupture of human intercourse. Our ontological status in this formulation inheres only in its negation.

Put another way, we are broken into, undone, unraveled by others; made vulnerable by and to a whole world of bodies, upon which we also rely for support. This is what Butler (2009) refers to as our shared condition of precarity. Arendt, in many ways anticipating Butler, names this organization of publicness, “plurality.” To paraphrase her words in The Human Condition, there is no being in this world whose existence does not pre-suppose its apprehension by another, a spectator. Indeed, to be human and alive in a plural world is to perceive and be perceived by others; to enter into a world of sentient beings whose perceptions confirm one’s existence, and whose existence one’s perceptions confirm.

This social ontology, though, raises its own challenge: If we are as much in others as in ourselves, then how are we to act (or even locate ourselves) in the world without damaging those to whom we are bound, and in the final instance, ourselves? It is relatively easy to claim that we are tied to others, but how are we to practically take account of these ties, including those we may never be aware of, when we act publically?

Faced with that practical challenge, we are returned to the ethical question laid out above: upon what commitments do we ground our actions, so as to, as Poyntz (forthcoming) puts it, organize our practices of publicness around the impersonality and strangerhood presupposed by a social ontology?

Having worked through these ideas in the context of a global reinvigoration of radical democratic aspirations, it is my sense that this provocation might be given meaning (though not nescessarily resolved) through a dual commitment to love and promising. At first blush the suggestion might seem lighthearted and politically inconsequential. But I don’t use these terms lightly. Rather, I use them purposefully, actively. Together, they tie us to the radical undoing of a social ontology while reaching into the future to preserve a space in which that undoing can flourish. At the same Vancouver lecture referenced above, Butler, recalling Arendt, put it another way. She claimed that the constitutive ethical moment of political life inheres in the question “Who are you?” insofar as that question points us toward an open moment of disidentification, a pre-judicial and pre-contractual appearance into the world. Love and promising, taken as the ethical foundations from which action might depart, are the forces that allow the echo of “who are you?” to resonate in a future yet to come.

To explain what I mean, I’ll begin with love.

In conventional parlance, love is understood to reside within us. To say that we ‘feel’ love is to say that we possess it, as if it were a property with finite boundaries, a virus. But that parlance forgets a rather obvious fact of love: that it always takes us beyond ourselves. If love, in principle, is a possession of the other in the body of the self, then the opposite must also be true: the possession of the self by others. It compels us toward and even into others. It asks us to inhabit the bodies and the histories of those around us. This is why we often regard love as transcendent; the coming together of two or more distinct social bodies into a single form, greater than the sum of its parts. Love is propulsive, asking us to overflow and overreach ourselves. It is the force that pulls us outward, fractures us, delivers us to others, situates us in a world of strangers by allowing those strangers to preserve some part of us. Fitting, then, that Jean Luc Nancy opens up the question of love through the image of “shattering:”

Love brings an end to the opposition between gift and property without surmounting and without sublating it: if I return to myself within love, I do not return to myself from love (the dialectic, on the contrary, feeds on the equivocation). I do not return from it, and consequently, something of I is definitely lost or dissociated in its act of loving. That is undoubtedly why I return (if at least it is the image of a return that is appropriate here), but I return broken: I come back to myself, or I come out of it, broken. The “return” does not annul the break; it neither repairs it nor sublates it, for the return in fact takes place only across the break itself, keeping it open. Love re-presents I to itself broken (and this is not a representation). It presents this to it: he, this subject, was touched, broken into, in his subjectivity, and he is from now on, for the time of love, opened by this slice, broken or fractured, even if only slightly. He is, which is to say that the break or the wound is not an accident, and neither is it a property that the subject could relate to himself. For the break is a break in his self-possession as a subject: it is, essentially, an interruption of the process of relating oneself to oneself outside of oneself. From then on, I is constituted broken. As soon as there is love, the slightest act of love, the slightest spark, there is this ontological fissure that cuts across and that disconnects the elements of the subject-proper, the fibers of its heart. One hour of love is enough, one kiss alone, provided that it is out of love – and can there, in truth, be any other kind? Can one do it without love, without being broken into, even if only slightly?

Love, in so opening us to others and refusing to close the fissures it enacts, might be seen as the very foundation of a social ontology. By extension, it is what reflects and grounds the question of “Who are you?” insofar as it traverses both the limits of the autonomous body and the social corridors that constitute it as a subject; always alerting us to spaces unknown, and spaces that, before love, could not be known. Its challenge, then, is pre-judicial, pre-contractual, even pre-political in that all those fields–justice, contract, politics–at least in the liberal tradition, depart from the subject. But love stubbornly refuses the subject. It is instead concerned with 1) the constitution of meaningful ties between bodies; and 2) with the inescapable condition of the precariousness of life (Butler) or, as Arendt expressed it, human plurality[1].

This understanding of love is, in some ways, akin to Arendt’s conceptualization of thought. On that subject, she lends to this discussion an instructive phrase, provided we substitute “love” for “thinking” (which, for reasons I won’t elaborate here, I think we have license to do): “The business of thinking is like Penelope’s web; it undoes every morning what it has finished in the night before.”

But here we find another problem, this one more temporal than ontological. In always undoing and unraveling, love seems to offer no futurity, no means of thinking of what might or ought to be, no possibility for the enduring task of world-making. It ties us to one another and propels us toward the stranger, but makes no demand and offers no vision for how that propulsion might extend into the future. Indeed, love is a force of the present precisely because it negates the future, a fact to which Arendt seemed alert when she wrote: “the present, in ordinary life the most futile and slippery of the tenses—when I say ‘now’ and point to it, it is already gone—is no more than the clash of a past, which is no more, with a future, which is approaching and not yet there.”

If we are to adequately address the question that began this essay, “how do we act?” it is this “not yet there,” and its relation to love, that we must dwell on. Love is the constitutive moment of politics because it precedes and opens the political as a field. But how is the social ontology it enacts projected into the future? How do we allow it to flourish, to amplify, to become emphatic? How do we create a world in which love can speak its name through the social body?

This is the role of the promise.

Where love is emphatically now, the promise reaches forward. It is what gives the “not yet there” a positive valence, partially fixing it in advance and imagining it as a place where love can be renewed. It is not an attempt to give “structure” to the future in any conventional sense, as such a gesture would in fact artificially close the ontological break animated by love and reaffirm the boundaries of the subject qua subject. Rather, promising is the attempt to preserve the future as a space and time where we might always love; where we might always be broken, extended, overbrimmed by love. Poyntz’ (forthcoming) words from earlier are worth repeating here: while the promise is indeed an attempt to establish some kind of social infrastructure, it must be understood as a means of normatively organizing future publicness and sociality around the undoing and the impersonality of loving. To say, “I will love you” is to enact a not yet there where love is refounded even as old fissures remain open. In this way, it operates through the ethical ought to that compels us to think forward, beyond the now of love, to another time and place where it endures as a normative principle.

To conceptualize the promise in this way is to do so along expressly Arendtian lines. To this effect, Bernstein (2010) writes:

In The Human Condition, promising is posited as the remedy for the ‘chaotic uncertainty of the future’ since it speaks to our capacity to legislate our future actions in a way our fellows can count on…Brute regularity can give the future a predictable visage, but only with the past as its support. Promising reaches out toward the future through the very gesture in which one individual reaches out toward her other; in the act of promising the I binds herself to her other to form a we whose future together the act of promising legislates.

The distinction that Bernstein here draws between “brute regularity” and promising is critical, and coincides with another of The Human Condition’s most important insights. Arendt writes in the book’s opening pages that action, in its original Greek interpretation, had a dual meaning: it was understood as both beginning and continuing. In contemporary Western liberal democracies, this dual meaning has largely been lost. Today, democratic practice seems little more than an act of carrying on; a series of minor representational changes unfolding within the “brute regularity” of institutional practice, costumed in the hyperbolic performance of difference. Political life has become, in this sense, tautological: Why is democracy mostly limited to voting once every four years? Because that’s what democracy is.

The refounding of political life–the ‘beginning’ implied by Greek interpretations of action–has been sacrificed to the reproduction of a technocratic, managerial, institutional democratic practice. In making this claim, I do not mean to slide into simple anti-establishment polemicism. Indeed, in most cases, it is our institutions that open up spaces in which new actions and appearances can unfold. What I am suggesting, though, is that any revival of the democratic imagination would seem to rest on reconstituting this fertile relation[2] of beginning to continuing.

As is hopefully clear by this point, it is my sense that this reconstitution might be animated by the reorganization of publicness around the normative value of love and the future-legislation of promising. To love and to promise that love will endure is to undo, refound, and preserve at once. It is a dual commitment that traverses past, present, and future by encompassing the pre-political moment of “who are you?”, the now of loving and being loved, and the reaching-out toward a “not yet there” through the promise.

As my references to democratic practice might suggest, I think this is of tremendous political significance, and cuts directly back to the question with which I began: how do we act? A reformulation of the relation of beginning to continuing, mediated by an ethical commitment to love and promising, breathes new life into those rigid debates that exhaustively circle the apparent impasse between reform and revolution–the kind of sparring matches that perennially paralyze the political work of realizing justice and equality (Bernstein, 2010). So often, those that seek to rework extant institutions are dismissed as compliant, centrist, against the movement, and so on. The reverse is also true. Those working at the institutional level often rush to discredit more radical experiments in prefigurative politics. Yet if a robust democratic life appears precisely where beginning (revolution) and continuing (reformation) are realized together (but not necessarily united), then the stale, dualistic conflict between reformists and revolutionaries is transformed into a rich, fertile, difficult space of co-presence, mutuality, and care that traverses both time and the body.

Arundhati Roy points beautifully to this link between the political act of world-making and a love made to endure through the promise when she writes:

To love. To be loved. To never forget your own insignificance….Above all, to watch. To try and understand. To never look away. And never, never, to forget….Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing” (my emphasis).

By way of closing, it is necessary to note that these claims are, of course, open to the same kind of criticisms so often filed against radically democratic programs of thought. Namely, that they paint an overly rosy picture of what happens when distinct bodies gather in space, carrying with them vast social histories that may put them inescapably at odds with one another. There is little I can do to thwart this line of critique, largely because, based on my own experience in radical political environments, it holds relatively true. But those same experiences of incommensurability have also taught me that disagreement and difficulty should never be seen as forces that necessarily and automatically foreclose on greater dreams of publicness and care for those beyond ourselves. And indeed it seems to me that to speak in these bold terms, to think of ways that one might undo and refound one’s place in the world, is itself both an act of worldly love and a promise; a reaching out toward a better, shared future.


[1] Nancy himself gets at the same notion when he writes, “community is revealed in the death of others.”

[2] The choice of ‘relation’ here is purposeful, but still clumsy. What I am trying to avoid is the biological or ecological language of some sort of ‘dynamic tension.’ To me, this suggests that beginning and continuing are discrete forces that, through a repellant magnetism, hold one another at some appropriate distance and in some appropriate position. I similarly avoid the language of dialectics, since that would suggest that the two are related through some aspiration toward “over turning,” as if it were somehow pre-ordained that beginning should overcome continuing. Dialectics, as well, maintains the aforementioned notion that the two forces are somehow discrete, rather than realized in and against each other at once. The language for this kind of co-presence escapes me.